Friday, November 23, 2007


Nehring Over The Edge


I began this site in early January of 2005. At the time one of my goals was to offer what I was hoping would be a fresh voice to the choir of online film critics. I've enjoyed some success with this site, have been published in Reuters and USAToday.com, been interviewed a number of times, hosted the Carnival of Cinema and have received compliments and threats from around the world. All of this and my grammar hasn't improved a single bit.

I will be ceasing to post on this site beginning today. Beginning next January I will be consolidating my sites over at Good News Film Reviews (http://goodnewsfilmreviews.blogspot.com). On that site I will continue to offer my usual reviews while also providing more commentary on the industry itself. All of this from a Christian perspective (which was the original purpose of this blog believe it or not).

Click on the logo to go to Good News Film Reviews

For my subscribers, I hope you will stick with me through my month and a half long break and direct your RSS readers to my new Good News feed.

To my readers, I want to thank you for your support and kind words over these past few years. Thanks to you I have enjoyed more success that I could have hoped for.

I will post once more on this site when the new site is fully operational.

I hope you to talk to you all next year.

Goodbye

Scott Nehring

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Monday, November 19, 2007


Top Secret! (1984)


Should I see it?
Yes.



This movie runs at one hundred jokes per minute. This film may have more sight gags than any other film ever made. Val Kilmer heads up this film by Jim Abrahams and the Zucker Brothers (Airplane!) If you like the humor of The Naked Gun, you will love this piece.


Reviews:
Spoof Reviews
Qwipster's Movie Reviews


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Sunday, November 18, 2007


Movie Trailer: I am Legend


Coming out on December 14th, Will Smith's latest is essentially a high-concept zombie movie. Neville (Smith) becomes the last man on Earth following a devastating plague. He is hounded by the other remaining people on Earth who are all vicious mutants. Can Neville find a antidote to cure the mutants (and save mankind)before they kill him first?

Click on the poster to view the trailer

Director: Francis Lawrence (Constantine)
Screenwriter:
Mark Protosevich (The Cell) and Akiva Goldsman (The Da Vinci Code)

First Constantine and then The Da Vinci Code? Is there anybody making decisions that hasn't made a heretical flick?

Actors: Will Smith and Salli Richardson

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Saturday, November 17, 2007


THE PURSUIT OF HAPPYNESS (2006)


SHORT REVIEW: On the Will Smith scorecard, this one makes up for Independence Day. He still owes us four movies like this one to make up for Wild Wild West.



I forgot Fresh Prince could act. Given that his usual products are little more than live action video games I don’t think I can be blamed for my lack of memory about Will Smith’s ability. Here he offers a nuanced performance as Chris Gardner, a man who despite being severely down on his luck, attempts to survive a competitive internship at Dean Winter. Smith’s performance is critical to the piece succeeding and he manages to deliver the goods. He clearly deserved his nomination for the Best Actor Oscar.

Getting through the film is an arduous task. Chris Gardner simply wants to become a stockbroker. To do this he has to be selected from a group of applicants in the internship program I’ve already mentioned. The problem? He’s uneducated, unconnected and essentially unemployed. On top of this he is a single father with a small son (played by Smith’s actual son Jaden Smith). Why is so difficult to watch? Gardner is handed so many hardships that it is hard to comprehend a human being could emotionally survive everything he endures. Director Gabriele Muccino and screenwriter Steve Conrad do such a wonderful job at setting up and executing Gardner’s goals and obstacles that his painful journey is believable. They infuse a great amount of tension into a story that should be predicable and a tad outlandish. Mixed with Smith’s charismatic performance the piece garners a great deal of sympathy from the audience. This sympathy is strained over and over again as Gardner suffers unbelievable setbacks. By the time the final act comes around the story is on the verge of becoming ridiculous. The resolution comes at exactly the right time to delivery maximum effectiveness.

There are many who may watch this film and see it as being a tad strong in its message of perseverance. I would argue against this. Garnder’s endurance makes him a valuable role model and showing his hardships (even if they may be pumped up for the sake of the movie – if they were) solidifies to power of refusing to give up on yourself. His story is inspiring stuff and I can’t recommend it enough.

On top of the powerful rags to riches story, this is also a tale of fatherhood. Gardner also serves as a quality image of what a father should be: protective, providing and patient. This film offers a father figure who is a real man who gives his son guidance and care. If only Hollywood produced more father characters such as this as opposed to the usual image of a bumbling moron who is little more than an oversized child.

If you missed this in its initial theatrical release and/or let it slip off your DVD rental queue, I highly recommend getting your hands on a copy and giving it a try.

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Friday, November 16, 2007


Double Indemnity (1944)


Should I see it?
Yes



This film is a classic for a reason. Fred MacMurray is perfectly cast as a scheming insurance salesman who regrets getting roped into murdering a femme fatale’s rich husband. Opposite MacMurray is Barbara Stanwyck as the femme fatale. She isn’t so great, and combining her stumbling performance with a thinly written character leads to some leaden interactions. Writer/Director Billy Wilder’s handing of the tight plot covers for Stanwyck’s missteps. Look for a great scene stealing performance by Edward G. Robinson. Overall, this is a fantastic suspense film that is still fun after all of this time.


Reviews:
Westminster Wisdom
Appreciating Great Trash


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THE CARNIVAL OF CINEMA: EPISODE 56 – NIGHT OF THE LIVING BLOGGERS


Welcome to the 56th Edition of the Carnival of Cinema.

This week we have a number of our regular bloggers alongside some new faces. So sit back and enjoy some of the best film reviews, commentary and industry advice available on the web.



To start things out this week we take a look at Michael L. Wentz’s Top Ten Veteran’s Day Movie Picks. What gives this list a bit of gravity is that it from the viewpoint of an actual veteran. Head over to REAL HONEST FILM to see a good list of some very interesting movies.


On to more war stuff.


Don’t like the War on Terrorism™? Neither does cranky old fart Robert Redford.


We have a couple of reviews taking a look at Lions for Lambs, a film that looks like it’s a bigger bomb than anything the Collation Forces™ have dropped on Iraq.

First up there’s General Disdain’s piece. Its clear a film about foreign policy made by a bunch of rich bed-wetting leftists isn’t the General’s cup of tea. This said, he gives the film a fair shake over at THE CRITICAL CRITICS.


Next up we have Aahz view on the film over at PHILAAHZOPHY. Aahz wasn’t going to see the film but ended up watching it anyway then found the piece compelling for its story more than anything else.



Ironically, cranky old fart Robert Redford competition this week includes the film No Country for Old Men.

Andrew Newman of NEWMAN'S OWN MOVIE CORNER reviews the new release from the Coen Brothers. It looks like its more Miller’s Crossing than The Big Lebowski.


Newman also gives us an early look at the brand spanking new flick Beowulf.

Head on over to see if the dolled-up cartoon worth your time?


For another view on No Country for Old Men check out what Dan has to say over at his site POPCORN, SODA, AND GOOBERS.



Sticking with the movies that are still down at the multiplex, The Flick Guru provides us with a review of the already critically acclaimed American Gangster. Find out what The Flick Guru thinks on his site THE GURU'S MOVIE AND TUBE REVIEWS. While you’re there don’t forget to check out his review of Jerry Seinfeld’s The Bee Movie.



For a look at the world’s best film about a boy who falls in love with a blow up doll check out Lindsey’s opinion on the film Lars and the Real Girl over at her site ZEE SAYS=FILM ADDICT + TEEN LIBRARIAN.



Paul McElligott reviews everything. On his site CELLULOID HEROES this week he reviews the new flick Gracie and finds himself asking:



f you head over you’ll also find reviews of A Mighty Heart, The Incredibles, and Help!

Like I said, he reviews everything.



Ending the new film string we have J
oanna Clay on her site JOANNA ESPAÑA giving her take on the Irish film Once. This seems to be an interesting film, click over to see why.


If new movies don’t do it for you try on some older movies for size.
Twenty years ago John Candy dressed up like a dog and this week Adam talks about it over at ALL THINGS FILM with his review of Mel Brooks’ non-classic Spaceballs.


Eighteen years ago Robin Williams was O’ Captain My Captain and now one of his teenage students is middle aged and on House. Toni has an ode to Dead Poet’s Society over at her side WIFELY STEPS.



Looking over at THE RETURN OF JEZEBEL JAMES INFO AND FAN SITE, Tim King has a follow up to a post from a couple months back titled 7 More One-line Parker Posey Movie Reviews. Get quick reviews of films like For Your Consideration, Best In Show, Clockwatchers and more.



Bringing things to a close this week is Christine. She has a site called ME, MY KID AND LIFE: AN AMERICAN SINGLE MOM LIVING IN FRANCE. Truth in advertising, the site is about exactly that: Her, her kid and living in France. Click over to read how she discovered an art film house in an art film house in France.


…and CUT!…and PRINT!


Thanks to everyone for their submissions and welcome all of the new faces this week.




Other carnival editions:
Carnival of Cinema: Episode I
Carnival of Cinema: Episode II
Carnival of Cinema: Episode III
Carnival of Cinema: Episode IV

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Thursday, November 15, 2007


The Assignment (1997)


Should I see it?
No.



Except for a few mildly interesting but ultimately fleeting moments, this entire film feels like its made out of the dropped scenes from a thousand better action films. Aiden Quinn, Ben Kingsley and Donald Sutherland recite lines and hit their blocking as they sleepwalk through this unfortunate, derivative production about a Navy officer that is tasked by the CIA to impersonate a terrorist. It would have been better if the filmmakers impersonated people who could make a reasonably good movie.


Reviews:
Roger Ebert
At-a-Glance Film Reviews


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Tuesday, November 13, 2007


28 WEEKS LATER (2007)


SHORT REVIEW: The characters in the film are turned into mind numbed vomiting zombies – so is the audience.


I found myself rooting for the zombies.

This is the unneeded follow up to the more successful 28 Days Later. The original was a refreshing take on the old zombie movie plot. It was inventive in its look, its handling of the end of the world (or at least the U.K.) and it was masterfully crafted. To be honest, the first half was masterful, the second half absolutely falls apart and loses its focus faster than Michael Jackson driving past a Boy Scout camp. Regardless, the first half of the original film is probably the best piece of horror since The Exorcist.

This sequel couldn’t be more disappointing. It certainly appears to have promise, following the complete destruction of Britain by a horrid virus that causes its victims to become blood-vomiting zombies, people have finally returned home. Of course it is only a matter of time before the virus makes it return. What should be a tension filled movie turns out to be a dopey series of forced plot conveniences and paper-thin characters. Given how potent the first film was, this piece being so patently bad is a disgrace. Where the first film can be likened to a slightly rebellious but likable and intelligent guy who is interesting and fun to know, this film is more like his loser slack-jawed son who eats crayons and punctuates his jokes by farting. It’s hard to believe such a good film went on to produce such a dumb one.

The main problem with this film is its script. The concept itself is solid and the acting and design are fine. There really can’t be that many ways you can mess this thing up. Amazingly enough, screenwriters Juan Carlos Fresnadillo, Rowan Joffe and Jesús Olmo all manage to locate and execute every single way to screw up every scene. With three screenwriters on this thing that means there had to be a ton of ideas that were probably thrown out or rewritten. If this piece of trash is the end result of their editing, what possibly was not good enough for them to include? The plot is so horrid I was surprised to keep finding the characters running away from the zombies. If I were in the movie I’d embrace them so I’d be wiped out and wouldn’t have to be a part of this stupid movie anymore. For my example, I won’t go to deep into the plot to avoid spoiling the movie more than the writers already have done...you know what, forget it – I’m ruining it.

***SPOILER ALERT***

The film focuses on a dad and his two kids. The dad gets infected and spends the remainder of the film chasing after the children. The plot is twisted into every possible direction to keep the father in the film despite the fact that it makes NO SENSE. The characters get in a car and drive through London. The father ON FOOT – WHILE STILL A ZOMBIE - manages to keep up to surprise them after they stop. Its stupid bits like this that make this an overly managed and unsatisfying heap of stewing cinematic waste. It KILLS me that they just have the virus show up and quickly wipe the population out instead of a slow building infection of the people which increases both tension and horror. With this dumb flick one minute everyone is fine and then five minutes later the whole place is overrun. There is no craft at work here.

I wanted to like this movie, I did. The truth be told, I have a soft spot for zombie movies. I was inclined to give this movie a few breaks I wouldn’t provide other productions and I still have to tell you to not bother watching it.


Other Reviews:
Monsters & Critics
The Stop Button


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Monday, November 12, 2007


Fire in the Sky (1993)


Should I see it?
Sure.



Very slow and mopey but it still manages to hold some interest. This certainly isn’t Oscar material but it does much with its meek story about a gang of blue collar guys who have a frightening run in with a UFO. The final act of the film holds some unnerving scenes which pretty much make up for the low tone of the rest of the piece. D.B. Sweeney and Robert Patrick offer some good performances. If you see it on cable, its worth checking out.


Other reviews:
FilmCritic.com
Roger Ebert


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Saturday, November 10, 2007


The Goebbels Experiment (2005)


Should I see it?
Yes.



Centering around Kenneth Branagh reading from Josef Goebbels’s personal diaries, this documentary about Hitler’s master propagandist is a fascinating look into Germany’s Nazi Party. We follow the mousy marketer from his initial idealistic impressions of Adolf Hitler to his eventual disillusionment and subsequent murder/suicide in the bunker with his family. For any student of World War II this is a must see film. Be warned there are some gruesome images like an unedited view of Goebbels’ naked and burned corpse.


Reviews:
The Los Angeles Times
Film-Forward


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